Category Archives: Idol
C-ute – Momoiro Sparkling
I’m a little confused by C-ute. Their last few singles have shown a move towards a more mature image, yet all of a sudden, they come out with fluffy, ubeat “Momoiro Sparkling“.
To be honest, from the reactions people were having to the song, I was expecting it to be a regression of the girls, but instead, I was nicely surprised. A bright, airy summer PV, traditional H!P backing vocals (it sounds like tsunku and Atsuko Inaba although as her contract with UFA has ended it probably isn’t) and… equal line distribution – in C-ute?! For me it’s always been a fact of life that C-ute was the Airi and Maimi show, but to see and hear so much of Nakky, Chisa and MaiMai is great!

As people have said, this single is a bit of a departure from their previous singles. Since Dance de BAKOON! C-ute have been pushing hard towards a sexier image, which really worked for them. But, although I can understand many fans’ disappointment, I’m glad that they can still put Maimai in some dungaree shorts, let the girls play with water-guns and inflatable balls and still pull it off. I think all the girls are wearing fantastic costume choices, and those killer heels still give all 5 girls an element of maturity. I especially love Chiasato in this PV. She’s really starting to stand out, in a very good way, in C-ute – and her hair and outfit are adorable.
For once, the main problem with this song isn’t the PV, the vocals, the balance or even the arrangement of the song. It’s that the song just isn’t very catchy. The chorus just doesn’t draw you in enough, there are no real hooks to the song, making the track forgettable.
Overall though, I love this PV, and the song does grow on you. H!P have seemed to perfect the “budget PV” (although I’d ask for your money back for those pink CGI bubbles) and regardless of making comparisons to other groups it’s a cracking effort from C-ute, going in a different direction to their usual one.




OriUp’d Vol. 1
Last weeks top 5:
- maximum the hormone – Greatest The Hits 2011 – 2011 (28,981)
- Not yet – Shuumatsu Not Yet (17,528)
- the BAWDIES – Love you, need you feat. AI (9,139)
- SKE48 – Banzai Venus (7,428)
- AKB48 – Sakura no ki ni narou (5,987)
Last week, Maximum the Hormone held on to the #1 spot for the second week in a row, a hard feat for any artist, especially considering the slump in sales since the Tohoku Earthquake. Congratulations to them. Other than the Bawdies, the rest of the top 5 was made up of previously released AKB48 and sub-unit singles, and also, all sales are still low. Luckily for us, this week sees the first wave of singles pushed back due to the Earthquake released.
What’s making me interested this week is who will be #1, which looks set to be KARA with Jet Coaster Love. I have to admit, I’m becoming more inamoured every day with the Hallyu wave, and KARA have gone from the butt thrusting of Mister to something we’re probably a bit more used to seeing in the Japanese market.
Not only that, but they’ve managed to joust SDN48 from the top spot… or rather, this member of the xxx48 team has fallen from their pedistall. Considering AKB48s popularity, it seems odd that a subunit would tumble so far down after first day sales, rather than maintaining a constant position. Their ranking so far has been 1, 6, 8, 7 – which I’ve never seen before from someone who’s made #1 on the first day. Maybe fans were a bit more embarrised about buying the raunchy single in store, or maybe it is just something to do with the earthquakes… I have to admit, Ai, Juseyo is one of the most raunchy singles I’ve ever seen in Japan, making the Heavy Rotation bath shots look completely innocent, and the girls dancing around in their knickers covering their top half – they make Kumi Koda look like a nun!
Surprisingly, Tsuyoshi Domoto, UVERworld and, yes, Morning Musume have been able to keep up pretty constant positions, and should, respectively, all manage to to get in the top 5. Ah, that’s what I like to see, good old predictability!
Other than that, Hiroshi Kamiya and YUKI also have new releases this week with Nijiiro Chou Chou and himitsu respectively. They’ve been holding slightly more erratic positions so far, but maybe we’ll be seeing them in the top 10.
So what’s my favourite single this week… well you don’t even have to ask… but I’ll leave Jet Coaster Love and Ai, Juseyo below as it’s interesting to see how KARA have got it so right and SDN48 may be a little off the mark:
Hopefully I’ll have time to give my rubbish Oricon analysis for next week, and we’ll see if anything I’ve posted here holds any credibility.
And remember kids, the Oricon doesn’t mean everything!
Morning Musume – Maji Desu ka Ska!
Considerably Morning Musume’s most important release since the start Onna Ni Sache Are, Maji desu ka SKA is Morning Musume’s first single to include the th generation. From it’s name, I was expecting something up-beat and along the lines of Koko ni Iruzee, and it hasn’t been off the mark.
There’s nothing of the previous moody 9-8 nin feel about it… well except for maybe the fact Ai is centre and her and Reina and still devouring most the lines and that the costumes remind me of “Nai Chau Kamo” – however a medicine easily swallowed, as everyone get’s lots of camera time in the new PV and has solo lines ~ you can’t have it all, and it’s also difficult for fans to outright accept a new generation. We only have about 6 more months of Ai left in Momusu as well – so I think it’s more than acceptable that one of Momusu’s most memoriable and performance-wise, strongest leader get’s a few more solo lines.
But onto the single – well, I wouldn’t particulary call it a master-piece classic which will score a #1 hit, but it is, for me, a step towards the “Golden Era” Momusu which a lot of fans constantly complain about missing. Although it doesn’t have the production values of the previous songs, the video is quirky and energetic.
One thing I do get sick of is people complaining about the production of PVs – a realization that has probably hit me more recently when I was going through a lot of files on my computer with my boyfriend, who commented that SNSD’s “Visual Dreams” looked “really cheap” – I think we sometimes bash Momusu and H!P in general a bit too much for their blue-screen PVs, when in fact, bands like Arashi and SNSD get away with it all the time – if you stick an interesting enough dance, or a popular enough group in front of it, blue-screen PVs are a great alternative to having to pay the story boarder, director and anyone else involved with making big budget numbers. I’m not disagreeing that some H!P videos in the recent years lack imagination and are lazy and cheap – but tarring all PVs with the same brush is unacceptable – but that’s for another time.
So after that small rant, the point I’m trying to get across with the PV is that it’s simple and effective – it’s playful. As my Japanese teach says, “Recognition is most important!” – here she’s talking about Kanji, but it can also be applied to the remembers of homogenous idol groups, and making sure Erina, Riho, Zukki and Fuku get as much airtime as possible is also important. Not only that but these girls really make the song – it’s fast energetic pace and playful nature is something which has been missing from a Momusu A-side since… well, Mikan.
And as soon as I say Mikan, here’s where the trouble begins. You see Mikan is probably one of the most popular live songs in recent years, but the sales absolutely tanked. After that, we’ve been subjected to three years of moody singles – so is this a risk too far?
Hopefully not – it’s time for Momusu to push forward into a new era, and this single definetly has the push to do it!
Dream Momusu ~ Yes Please!
It’s funny how some things never change. Almost two years ago we were sitting here, thinking we may not ever hear Yuuko, Nacchi and Kaori belt out Morning Coffee again, and more recently, it also looked like Koharu was leaving the Hello! Project bandwagon to become a model… but once again, everyone (well, everyone who still works for UFA and has nothing better to do) has come back to Momusu.
And regardless of the current line-up’s struggle against their AKB rivals, the classic Morning Musume line up (less some, plus some) seems to always fall back on it’s feet.
What’s most impressive about the latest announcement of Dream Morning Musume (comprismising of Yuuko Nakagawa, Kaori Iida, Natsumi Abe, Kei Yasuda, Mari Yaguchi, Rika Ishikawa, Hitomi Yoshizawa, Makoto Ogawa, Miki Fujimoto and Koharu Kusumi) isn’t so much their debut tour, nor their album, but more that in a matter of days of officially announcing their formation, they also annouced a 40 date tour this autumn. It also seems like tsunku is setting this unit up for the long-run as their debut album is called Dream (1), taking on the numerical sequence of Hello! Project albums.
Rumours about the group were circulating before the triple graduation – however, I think everyone expected it to be similar to the Elder Club style, rather than an album producing unit. I imagine this has been an idea in the making for a while, given HANGRY & ANGRY‘s inactivity, and the annoucment that Tsuji would not be participating due to the birth of her son (which makes me wonder if it was planned before she was pregnant).
I’m looking forward to how the new album will sound. Hopefully new vocal arrangments of all the songs will be made – as much as Nacchi is the voice of Morning Musume, I’d love to hear a fresh take on many of the singles. In particular, Mikan will be interesting to listen to ~ I remember that when it was announced that Kaori’s son had died, Yuuko used lyrics from this song to help describe her feelings towards her friend and life in general.
I’m also interested to see how the group has gelled. We all know the rumors that Mikitty and Charmy didn’t get on, Nacchi has diva tendencies and Koharu was only really a Musume along side Makoto and Mikitty. They’ll also be an age gap of 19 years between Koharu and Yuuko.
Now hopefuly, they’ll still be together when I finally get my backside to Japan
Maki Goto – Goto Maki COMPLETE BEST ALBUM 2001-2007 ~Singles & Rare Tracks~

For those of us that mourned the lack of a Maki Goto greatest hits CD two years ago, was getting this CD was worth the wait? Not only does it detail Maki’s singles through her years with Hello! Project, but also includes a number of solo, Korean and live versions of a wide number of her songs. Throwing this CD on, you’re drawn from debut number one “Ai no Bakayarou” to her last single with Hello! Project, “Secret” in chronological order.
I was particularly interested in this album to here Maki’s solo version of one of my favourite Morning Musume songs – I WISH. Unfortunately the group version does sound a lot better, but I love the novelty of these solo versions – a lot of which I hadn’t heard before. The Korean versions of Daite, PLEASE GO ON and Supin to Namida were also quite interesting (although distinctly lacked the energy of the originals), but the last three “live” tracks were a complete wash out, as I’m failing to hear the difference between these and the album originals. And there’s even a cover of an Aya Matsuura track Watarasebashi. However, most of these “rare” tracks would be better termed “recycled“, as most can be found as album tracks on her first three albums.
Sales have been dire, which even surprised me. The album peeked at number 30 on first day sales, ranked weekly at 74 and has only sold 1,920 copies! Considering Maki still claims a lot of media attention in Japan and that this album has come sandwiched between two mini albums, I was expecting a little more hype around it.
So overall, a must for any Hello! Project or Maki Goto fan, but don’t get your hopes up too much about the rare tracks. Post-debut single onwards, her songs until her last album with H!P are quintessentially “Hello! Project” – and no doubt we’ll be hearing more covers of these by the current Hello! Project members.
Tracklist
Disc 1:
- Ai no Bakayarou
- Afurechau… BE IN LOVE
- Te wo Nigitte Arukitai
- Yaruki! IT’S EASY
- Uwasa no SEXY GUY
- Scramble
- Daite yo! PLEASE GO ON
- Genshoku GAL Hade ni Yukube!
- Sayonara no LOVE SONG
- Yokohama Shinkirou
- Sayonara “Tomodachi ni wa Naritakunai no”
- Suppin to Namida.
- Ima ni Kitto… In My LIFE
- Glass no Pumps
- SOME BOYS! TOUCH
- Secret
Disc 2:
- I WISH (Solo Take Ver.)
- SHALL WE LOVE? (Goto Version)
- Akai Nikkichou (Goto Version)
- Shiawase Desu ka? (Goto Version)
- Watarasebashi (Goto Version)
- Namida no Hoshi (Alo Hello! Version)
- Suki Sugite Baka Mitai (Goto Version)
- Daite yo! PLEASE GO ON (Korean Ver.)
- Suppin to Namida. (Korean Ver.)
- Bokura ga Ikiru MY ASIA (Solo Take Ver.)
- LIKE A GAME (2006 SECRET LIVE Ver.)
- LOVE. BELIEVE IT! (2007 G-Emotion II Ver.)
- LOVE LIKE CRAZY (2007 G-Emotion II Ver.)
Deathloop: Ai no Bakayarou, DAITE! Please go on, Some Boys Touch
Overall: C+
The rare tracks left us expecting something which unfortunately UFA didn’t deliver. It would have also been nice to seen a few more current Maki pictures used, but for obvious reasons, none must have been available.